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    <title>Ashgate latest publications</title>
    <link>http://www.ashgate.com</link>
    <description>The latest publications from Ashgate Publishing Ltd</description>
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    <lastBuildDate>Wed, 19 Jun 2013 19:25:00 GMT</lastBuildDate>
    <copyright>@copyright Ashgate Publishing Ltd</copyright>
    <docs>http://www.ashgate.com/</docs>
    <ttl>15</ttl>
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      <link>http://www.ashgate.com/</link>
      <title>Ashgate latest publications</title>
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      <title>A Century of Israeli Art</title>
      <description>A Century of Israeli Art presents the story of modern Israel’s visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. 
Author Yigal Zalmona describes the many ways in which Israel’s art has been influenced by its social and political history, surveying the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video.</description>
      <link>/default.aspx?page=643&amp;edition_id=12880&amp;title_id=12497&amp;calctitle=1</link>
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      <pubDate>Wed, 12 Jun 2013 00:00:00 GMT</pubDate>
      <author>Yigal Zalmona</author>
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      <title>Paul Nash</title>
      <description>Paul Nash (1889-1946) created an individual pathway through English art in the first half of the 20th century, shaping a body of work that recognised the importance of the modern movement and stimulated him to evolve his own English landscape-based Surrealism. Within a narrative that is both chronological and thematic, Andrew Causey, the leading authority on Paul Nash, teases out the character of Nash's vision and unravels his personal mythology.</description>
      <link>/default.aspx?page=643&amp;edition_id=11874&amp;title_id=11516&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=11874&amp;title_id=11516&amp;calctitle=1</guid>
      <pubDate>Fri, 17 May 2013 00:00:00 GMT</pubDate>
      <author>Andrew Causey</author>
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      <title>The Bay Area School</title>
      <description>Tracing the development of Abstract Expressionism and the counter-blast of Figurative art on the West Coast of America during a decisive period, this important publication marks a milestone in the ongoing understanding of the post-war art scene in the United States.</description>
      <link>/default.aspx?page=643&amp;edition_id=23800&amp;title_id=18990&amp;calctitle=1</link>
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      <pubDate>Fri, 10 May 2013 00:00:00 GMT</pubDate>
      <author>Thomas Williams with a foreword by Michael Peppiatt</author>
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      <title>Julian Trevelyan</title>
      <description>Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miró and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Philip Trevelyan, Julian's son, takes us on a pictorial journey through Julian's life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan’s studio at Durham Wharf in London.</description>
      <link>/default.aspx?page=643&amp;edition_id=12337&amp;title_id=11963&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=12337&amp;title_id=11963&amp;calctitle=1</guid>
      <pubDate>Wed, 10 Apr 2013 00:00:00 GMT</pubDate>
      <author>Philip Trevelyan, with a Foreword by Mel Gooding</author>
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      <title>Joan Eardley</title>
      <description>Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist’s.  This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.</description>
      <link>/default.aspx?page=643&amp;edition_id=12355&amp;title_id=11981&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=12355&amp;title_id=11981&amp;calctitle=1</guid>
      <pubDate>Thu, 28 Mar 2013 00:00:00 GMT</pubDate>
      <author>Christopher Andreae</author>
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      <title>Elisabeth Frink Catalogue Raisonné of Sculpture 1947-93</title>
      <description>Elisabeth Frink (1930-93) was a leading British sculptor and printmaker whose work is distinguished by her commitment to naturalistic forms and themes.  This new edition of the catalogue raisonné of her sculpture documents her complete sculptural output in a single volume for the first time, and includes new texts by a range of critics and writers.</description>
      <link>/default.aspx?page=643&amp;edition_id=12356&amp;title_id=11982&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=12356&amp;title_id=11982&amp;calctitle=1</guid>
      <pubDate>Thu, 14 Feb 2013 00:00:00 GMT</pubDate>
      <author>Annette Ratuszniak, with a Foreword by Lin Jammet and contributions by Leo A. Daly, Arie Hartog, Michael Morpurgo and Julian Spalding</author>
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      <title>The Art of Jeremy Gardiner</title>
      <description>Providing a comprehensive assessment of Jeremy Gardiner’s career to date, this monograph, the first of its kind, explains how this distinctive artist has taken the exploratory landscape vision of mid-century St Ives modernists like Ben Nicholson, Peter Lanyon and John Tunnard into a new post-millennial era.</description>
      <link>/default.aspx?page=643&amp;edition_id=12082&amp;title_id=11714&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=12082&amp;title_id=11714&amp;calctitle=1</guid>
      <pubDate>Wed, 09 Jan 2013 00:00:00 GMT</pubDate>
      <author>Wendy Baron, Ian Collins, Peter Davies, Simon Martin, Christiana Payne and William Varley</author>
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      <title>The Sculpture of Charles Wheeler</title>
      <description>This is the first book to document the work of Sir Charles Wheeler PRA (1892-1974), a major figure in British figurative sculpture whose work has been unduly marginalised. Featuring a comprehensive catalogue of works, The Sculpture of Charles Wheeler is essential reading for all those interested in the history of modern British sculpture, architectural history and patronage and public art and civic life in the 20th century.</description>
      <link>/default.aspx?page=643&amp;edition_id=8154&amp;title_id=7926&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=8154&amp;title_id=7926&amp;calctitle=1</guid>
      <pubDate>Wed, 12 Dec 2012 00:00:00 GMT</pubDate>
      <author>Sarah Crellin</author>
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      <title>The Tree</title>
      <description>Trees - actual, mythical and metaphorical - are at the heart of mankind’s relationship with the natural and supernatural world, a relationship that serves as a powerful index of both ecological and spiritual well-being. This fascinating book surveys the meaning of trees: historical, cultural, scientific and artistic.</description>
      <link>/default.aspx?page=643&amp;edition_id=23908&amp;title_id=19050&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=23908&amp;title_id=19050&amp;calctitle=1</guid>
      <pubDate>Thu, 06 Dec 2012 00:00:00 GMT</pubDate>
      <author>Frances Carey</author>
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      <title>Art and Authenticity</title>
      <description>Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts.The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts.</description>
      <link>/default.aspx?page=643&amp;edition_id=11972&amp;title_id=11609&amp;calctitle=1</link>
      <guid>/default.aspx?page=643&amp;edition_id=11972&amp;title_id=11609&amp;calctitle=1</guid>
      <pubDate>Fri, 30 Nov 2012 00:00:00 GMT</pubDate>
      <author>Edited by Megan Aldrich and Jos Hackforth-Jones, with essays by Megan Aldrich, David Bellingham, Jonathan Clancy, Lis Darby, Natasha Degen, Anthony Downey, Sophie von der Goltz, Jos Hackforth-Jones, Barbara Lasic, Noël Riley, Bernard Vere and Morgan Wesley</author>
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