http://www.ashgate.com The latest publications from Ashgate Publishing Ltd en-gb Sun, 19 May 2013 22:36:48 GMT @copyright Ashgate Publishing Ltd http://www.ashgate.com/ 15 http://www.ashgate.com/ http://www.ashgate.com/images/ashgate_logo.gif Paul Nash (1889-1946) created an individual pathway through English art in the first half of the 20th century, shaping a body of work that recognised the importance of the modern movement and stimulated him to evolve his own English landscape-based Surrealism. Within a narrative that is both chronological and thematic, Andrew Causey, the leading authority on Paul Nash, teases out the character of Nash's vision and unravels his personal mythology. /default.aspx?page=643&edition_id=11874&title_id=11516&calctitle=1 /default.aspx?page=643&edition_id=11874&title_id=11516&calctitle=1 Fri, 17 May 2013 00:00:00 GMT Andrew Causey Tracing the development of Abstract Expressionism and the counter-blast of Figurative art on the West Coast of America during a decisive period, this important publication marks a milestone in the ongoing understanding of the post-war art scene in the United States. /default.aspx?page=643&edition_id=23800&title_id=18990&calctitle=1 /default.aspx?page=643&edition_id=23800&title_id=18990&calctitle=1 Fri, 10 May 2013 00:00:00 GMT Thomas Williams with a foreword by Michael Peppiatt Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miró and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Philip Trevelyan, Julian's son, takes us on a pictorial journey through Julian's life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan’s studio at Durham Wharf in London. /default.aspx?page=643&edition_id=12337&title_id=11963&calctitle=1 /default.aspx?page=643&edition_id=12337&title_id=11963&calctitle=1 Wed, 10 Apr 2013 00:00:00 GMT Philip Trevelyan, with a Foreword by Mel Gooding Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist’s. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work. /default.aspx?page=643&edition_id=12355&title_id=11981&calctitle=1 /default.aspx?page=643&edition_id=12355&title_id=11981&calctitle=1 Thu, 28 Mar 2013 00:00:00 GMT Christopher Andreae Elisabeth Frink (1930-93) was a leading British sculptor and printmaker whose work is distinguished by her commitment to naturalistic forms and themes. This new edition of the catalogue raisonné of her sculpture documents her complete sculptural output in a single volume for the first time, and includes new texts by a range of critics and writers. /default.aspx?page=643&edition_id=12356&title_id=11982&calctitle=1 /default.aspx?page=643&edition_id=12356&title_id=11982&calctitle=1 Thu, 14 Feb 2013 00:00:00 GMT Annette Ratuszniak, with a Foreword by Lin Jammet and contributions by Leo A. Daly, Arie Hartog, Michael Morpurgo and Julian Spalding Providing a comprehensive assessment of Jeremy Gardiner’s career to date, this monograph, the first of its kind, explains how this distinctive artist has taken the exploratory landscape vision of mid-century St Ives modernists like Ben Nicholson, Peter Lanyon and John Tunnard into a new post-millennial era. /default.aspx?page=643&edition_id=12082&title_id=11714&calctitle=1 /default.aspx?page=643&edition_id=12082&title_id=11714&calctitle=1 Wed, 09 Jan 2013 00:00:00 GMT Wendy Baron, Ian Collins, Peter Davies, Simon Martin, Christiana Payne and William Varley This is the first book to document the work of Sir Charles Wheeler PRA (1892-1974), a major figure in British figurative sculpture whose work has been unduly marginalised. Featuring a comprehensive catalogue of works, The Sculpture of Charles Wheeler is essential reading for all those interested in the history of modern British sculpture, architectural history and patronage and public art and civic life in the 20th century. /default.aspx?page=643&edition_id=8154&title_id=7926&calctitle=1 /default.aspx?page=643&edition_id=8154&title_id=7926&calctitle=1 Wed, 12 Dec 2012 00:00:00 GMT Sarah Crellin Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts.The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts. /default.aspx?page=643&edition_id=11972&title_id=11609&calctitle=1 /default.aspx?page=643&edition_id=11972&title_id=11609&calctitle=1 Fri, 30 Nov 2012 00:00:00 GMT Edited by Megan Aldrich and Jos Hackforth-Jones, with essays by Megan Aldrich, David Bellingham, Jonathan Clancy, Lis Darby, Natasha Degen, Anthony Downey, Sophie von der Goltz, Jos Hackforth-Jones, Barbara Lasic, Noël Riley, Bernard Vere and Morgan Wesley Born into a left-wing, politically active Jewish family in Chicago in 1939, Judy Cohen grew up in a household in which human rights and values were issues of principle, and the empowerment of the individual was an imperative rather than an aspiration. This environment, and the untimely death of her father, helped to shape the artist known today as Judy Chicago. A combination of talent, sheer will, vision, courage and ambition led her to became one of the most pioneering, daring and controversial artists of her generation. This fully illustrated book presents a unique perspective on the art of Judy Chicago, highlighting selected major themes from four decades, explored across a wide range of media including painting, printmaking, drawing, photography, film, performance and textile work. In contrast to the monumental series and large-scale works for which Chicago is best known, the publication reveals a more private and intimate side to her work, hitherto largely unfamiliar to the public. The authors explore recurrent themes which emerge from her art: autobiography, art as diary, erotica, feminism, the nude, self-portraiture and issues of power, birth and motherhood. Reproductions of Chicago’s work, drawn from the artist's archive and from public and private collections in the USA, and including a number not previously seen in public, are contextualized with works by Louise Bourgeois, Tracey Emin and Helen Chadwick, each of whom has addressed similar issues in their own distinctive fashion during the latter part of the 20th century. /default.aspx?page=643&edition_id=23653&title_id=18916&calctitle=1 /default.aspx?page=643&edition_id=23653&title_id=18916&calctitle=1 Fri, 02 Nov 2012 00:00:00 GMT Rachel Dickson, with contributions by Judy Batalion, Frances Borzello, Diane Gelon, Alexandra Kokoli and Andrew Perchuk This new volume in the series of Handbooks in International Art Business published in association with Sotheby's Institute of Art offers a timely guide to corporate collecting, examining the history, nature and importance of corporate collecting and the different reasons for starting and maintaining corporate collections, including investment, cultural caché, and asset diversification. Based on interviews with the curators, consultants and investors who run such collections, and more extended case studies of important collections, the book concludes with an examination of when corporate collecting becomes a liability and the market-impact of deaccessioning, looking ahead to the future of corporate collecting. /default.aspx?page=643&edition_id=1209346551&title_id=10071&calctitle=1 /default.aspx?page=643&edition_id=1209346551&title_id=10071&calctitle=1 Thu, 01 Nov 2012 00:00:00 GMT Charlotte Appleyard and James Salzmann