Changing the System: The Music of Christian Wolff

Changing the System: The Music of Christian Wolff Website price:£58.50 (Regular price: £65.00)
  • Imprint: Ashgate
  • Illustrations: Includes 1 b&w illustration and 49 musical examples
  • Published: August 2010
  • Format: 234 x 156 mm
  • Extent: 284 pages
  • Binding: Hardback
  • Other editions: ebook PDF, ebook ePUB
  • ISBN: 978-0-7546-6680-6
  • ISBN Short: 9780754666806
  • BL Reference: 780.9'2-dc22
  • LoC Control No: 2009050049
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  • Edited by Stephen Chase and Philip Thomas, University of Huddersfield, UK
  • Christian Wolff is a composer who has followed a distinctive path often at the centre of avant-garde activity working alongside figures such as John Cage, Merce Cunningham, and Cornelius Cardew. In a career spanning sixty years, he has produced a significant and influential body of work that has aimed to address, in a searching and provocative manner, what it means to be an experimental and socially aware artist. This book provides a wide-ranging introduction to a composer often overlooked despite his influence upon many of the major figures in new music since the 1950s from Cage to John Zorn to the new wave of experimentalists across the globe.

    As the first detailed analysis of the music of this prolific and highly individual composer, Changing the System: The Music of Christian Wolff contains contributions from leading experts in the field of new and experimental music, as well as from performers and composers who have worked with Wolff. The reception of Wolff's music is discussed in relation to the European avant-garde and also within the context of Wolff's association with Cage and Feldman. Music from his earliest compositions of the 1950s, the highly indeterminate scores, the politically-inspired pieces up to the most recent works are discussed in detail, both in relation to their compositional techniques, general aesthetic development, and matters of performance. The particular challenges and aesthetic issues arising from Wolff's idiosyncratic notations and the implications for performers are a central theme. Likewise, the ways in which Wolff's political persuasions - which arguably account for some of the notational methods he chooses - have been worked out through his music, are examined. With a foreword by his close associate Michael Parsons, this is a valuable addition to experimental music literature.

  • Contents: Foreword, Michael Parsons; Preface, Stephen Chase and Philip Thomas; Part I Reception, History: 'Our Webern': Cage and Feldman's devotion to Christian Wolff, Michael Hicks; Christian Wolff in Darmstadt, 1972 and 1974, Amy C. Beal. Part II The Music: For pianist: the solo piano music, Philip Thomas; Mutual effects: organization and interaction in the orchestral music of Christian Wolff, James Saunders; Exercising the ensemble: some thoughts on the later music of Christian Wolff, Christopher Fox. Part III Politics: Changing the system: indeterminacy and politics in the early 1970s, David Ryan; 'There is always a time': words, music, politics and voice, Stephen Chase. Part IV Performance: Prose Collection: the performer and listener as co-creator, Clemens Gresser; Playing the game? 5 reflections upon performing Christian Wolff's music, Philip Thomas; List of works; Bibliography; Discography; Index.

  • About the Editor: Dr Stephen Chase, Independent scholar and composer, UK; Dr Philip Thomas, Senior Lecturer, University of Huddersfield, UK

  • Reviews: 'Perhaps this collection of essays, and Michael Hicks's forthcoming monograph on Wolff, is a sign that Wolff scholarship is gaining a foothold in the musicological world. This collection is a strong resource for scholars wishing to take up the task.' Notes

    '[Changing the System is] particularly welcome: its nine contributors between them conspire successfully in providing both basic information on, and useful insights into, a generous selection of the composer's works.' Music and Letters

    'Bearing in mind the interdisciplinary approach that enables a wide range of insight into the complex [...] issues of Wolff's activities [...] this book will be an important contribution to the study of contemporary musical practices.' TACET

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    Extracts from this title are available to view:

    Full contents list

    Preface

    Index