Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of "The Author" was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of "The Author"--and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability.

This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.

Contents: Preface; Introduction: questionable intentions; Sidney's ravishment; Shakespeare's chaste will; Milton's inapprehensible song; Cavendish's willing subjects; Works cited; Index.

About the Author: Amy Greenstadt is Associate Professor of English at Portland State University, where she writes and teaches about the cultural history of gender, sexuality, and other forms of human identity and difference.

Reviews: 'Amy Greenstadt's intriguing book takes a close look at early modern literary authorship in light of shifting ideas concerning female will and the violation of rape. Through analysis of Sidney's The Old Arcadia, Shakespeare's Rape of Lucrece, Milton's Comus, and Cavendish's Assaulted and Pursued Chastity, Greenstadt traces the use of rape as a metaphor for authorial intention that is inevitably violated by public consumption. This carefully argued book brings to light dimensions of female subjectivity that echo provocatively in literature of the age.'
Sharon Beehler, Montana State University, USA

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Full contents list

Preface

Index