Contemporary Social Work Studies

Ashgate Book Series Listings

Series Editor: Robin Lovelock, University of Southampton, UK

Contemporary Social Work Studies
Selected titles from this
series
Contemporary Social Work Studies is a series disseminating high quality new research and scholarship in the discipline and profession of social work. The series promotes critical engagement with contemporary issues relevant across the social work community and captures the diversity of interests currently evident at national, international and local levels. CSWS is located in the School of Social Sciences (Social Work Studies Division) at the University of Southampton, UK and is a development from the successful series of books published by Ashgate in association with CEDR (the Centre for Evaluative and Developmental Research) from 1991.

 

Series Advisory Board:

Lena Dominelli, University of Durham, UK
Jan Fook, University of Southampton, UK
Peter Ford, University of Southampton, UK
Lorraine Gutiérrez University of Michigan, USA
Walter Lorenz, Free University of Bozen-Bolzano, Italy
Karen Lyons, London Metropolitan University, UK
Joan Orme, University of Glasgow, UK
Jackie Powell, University of Southampton, UK
Gillian Ruch, University of Southampton, UK

 

An Interview with Series Editor Robin Lovelock

Series Editor/Author Image

What encouraged you to enter academia?

The belief that universities were committed above all to the pursuit of understanding and therefore that academics were free to devote themselves more or less exclusively to study in its various forms. In so far as that was ever true for any but perhaps the most privileged and/or gifted, it’s certainly much less so nowadays – although one still probably has more autonomy in the academic world than in most other walks of life, at least over when one does the many and varied things one has to do. But in fact I’ve never actually been a ‘proper’ academic, combining teaching, research and writing; rather my appointments have been in a research capacity. Moreover, the research I’ve done has mostly involved working closely with social and health care agencies, so in that sense I’ve always operated on the interface between academia and the world(s) of policy and practice

What made you (decide to) initiate this series?

In 1990 I set up a research centre, CEDR – the Centre for Evaluative and Developmental Research; I thought a link with a commercial publisher would provide an ideal outlet not only for much of the Centre’s research but also that of colleagues in the (then) Department of Social Work Studies at the University of Southampton in which it was based. Ashgate supported this and thus a series “published in association with CEDR” was born. 10 years down the line I took early retirement and CEDR was phased out. By that time the series was publishing a wider range of work, some of it authored by colleagues not directly associated with Southampton, and all parties, including myself, wanted it to continue. We ‘reconfigured’ the series as ‘Contemporary Social Work Studies’ (CSWS), with an international Advisory Board, and I believe it’s gone from strength to strength.

What are your academic background and research interests (and those of your co-editors/advisory board)?

My first degree was in Politics and Sociology. I then read for a PhD in Political Theory but didn’t complete it. Much more recently I took a Masters in that field, my abiding interests having remained in political and social thought and in the philosophy and methodology of the social sciences. I got a job in social care research in the mid-70s – although it wasn’t called ‘social care’ at the time – and stayed with it, drawing on my more abstract interests to make sense of the world in which I found myself. I came late to an understanding of and commitment to social work per se, when I moved between institutions to set up a new research centre, CEDR. My Advisory Board is made up of senior social work academics.

Very briefly, where do you see your discipline going in the future?

Taking my ‘discipline’ as social work, I’ll avoid giving a very specific answer by saying that I rely heavily on my Board to know where it’s at and where it’s going! However, anyone straying to this page is likely to be well aware that social work is at once both a profession and a university-based discipline, and I think my colleagues would agree with me that survival as both, preferably inter-connectedly, is currently the first priority; indeed in many ways that’s always been the case.

What has been the highlight of your academic career so far?

I’ve mentioned that I retired several years ago, so I should probably address that question in the past tense and delete “so far”. In any case, the answer is setting up CEDR [see above] and sustaining it for a decade or so, both with my close colleague Jackie Powell. Anyone interested can find out more about CEDR’s philosophy and work at http://www.cedr.soton.ac.uk/

In the present, I’m unashamedly rather proud of CSWS, which, as I already explained, has its roots in CEDR, the continuing thread being a commitment to encouraging critical reflection among social work academics and practitioners.

Whose achievements would you like to emulate within your own field?

In similar spirit to my previous answer, it’s probably too late now! In the field I still regard as my intellectual home, a great hero of mine is Jürgen Habermas, both for his breadth of scholarship and for his commitment to being a “public intellectual”. An eminent British political theorist who I greatly admire, and who has written extensively on the moral and philosophical underpinnings of social work and social policy (inter al.), is (Lord) Raymond Plant. In the social work academy itself, Bill Jordan shares the sense that political and moral philosophy, and historical and political context, are crucial reference points for the discipline and the profession. However, for me to even think of emulating any of them is rather akin to my wanting to be an Olympic champion.

What book (not from the series, but generally) has most influenced your own work?

I’d choose the one which first brought me to Habermas: Knowledge and Human Interests – although as he later conceded to sympathetic critics such as Thomas McCarthy, its aim of “getting behind the positivist’s back” by epistemological means was in the end flawed. His subsequent attempt to ground a cognitive social and political morality in a philosophical account of language also seems now to have embodied essentially the same unsustainable claim that “the truth will set us free”. These days therefore, I find myself most in tune with those feminists positively influenced by Habermas (e.g. Benhabib, Chambers, Fraser, Warnke), who argue that we must be content with constructing a political ethics, in which context his work is immensely valuable, albeit that he himself has sought to make stronger claims. Habermas has become more widely known to a social work audience of late, for example through the work of Amy Rossiter, Stan Houston and Walter Lorenz.

What do you find particularly interesting about your role as series editor?

I love books and I’ve long been interested in the practical aspects of publishing. Thus in many ways what I’ve enjoyed most is working closely with a sequence of commissioning and desk/copy editors, and with other Ashgate colleagues responsible for publicity and marketing – the people who make a book ‘happen’ – as well as with the authors whose ideas one can help find a place in the public domain.

Any advice for people wanting to publish in your series?

The ‘blurb’ for the series makes it clear that we’re looking for high quality new research and scholarship, so I’d expect potential authors to be aware of this. In particular, as I mentioned above, the series seeks to encourage critical reflection. A theme linking many recent titles, and which I/we hope will continue, is the potential of social work to contribute to thought and action in the context of the many challenges, global and local, which we face in the 21st Century. Alongside that, however interesting and appropriate its subject matter in these terms, this series editor looks for evidence in a proposal that the book will have an explicit and appropriate structure and that the author(s)/editor(s) can articulate this clearly for the benefit of readers. I’m also ‘old-fashioned’ – if such it be – in believing that clarity of expression requires careful attention to the meanings of words and to matters of grammar and punctuation; so a proposal which suggests that its author sees these as merely ‘for later’, the business of copy editors and proof readers, will not impress!

What was the last book you read?

If I take that literally, I’m actually not sure – I don’t read as much as I’d like to. However, assuming the question is really about what I like to read when I do make the necessary time and space, I’ve recently enjoyed The Form of Things by A.C. Grayling, The Meaning of Sport by Simon Barnes, The Discovery of France by Graham Robb, and The Second Plane by Martin Amis.

Interview kindly received March 2009.