The Histories of Material Culture and Collecting, 1700-1950
Series Editor: Michael Yonan, University of Missouri-Columbia,
USA
The Histories of Material Culture and Collecting
provides a forum for the broad study of object acquisition and
collecting practices in their global dimensions from 1700 to 1950.
The series seeks to illuminate the intersections between material
culture studies, art history, and the history of collecting. HMCC
takes as its starting point the idea that objects both contributed
to the formation of knowledge in the past and likewise contribute
to our understanding of the past today. The human relationship to
objects has proven a rich field of scholarly inquiry, with much
recent scholarship either anthropological or sociological rather
than art historical in perspective. Underpinning this series is the
idea that the physical nature of objects contributes substantially
to their social meanings, and therefore that the visual, tactile,
and sensual dimensions of objects are critical to their
interpretation. HMCC therefore seeks to bridge anthropology and art
history, sociology and aesthetics. It encompasses the following
areas of concern:
1. Material culture in its broadest dimension, including the
high arts of painting and sculpture, the decorative arts
(furniture, ceramics, metalwork, etc.), and everyday objects of all
kinds.
2. Collecting practices, be they institutionalized activities
associated with museums, governmental authorities, and religious
entities, or collecting done by individuals and social groups.
3. The role of objects in defining self, community, and
difference in an increasingly international and globalized world,
with cross-cultural exchange and travel the central modes of object
transfer.
4. Objects as constitutive of historical narratives, be they
devised by historical figures seeking to understand their past or
in the form of modern scholarly narratives.
The series publishes interdisciplinary and comparative research
on objects that addresses one or more of these perspectives and
includes monographs, thematic studies, and edited volumes of
essays.